![]() ![]() There is enormous cultural fear surrounding the idea of ageing and as such there is an entire generation of women whose identities are being shaped by this. ![]() Historically women's sexuality has often been portrayed as something scary, uncomfortable and threatening. Monstrous Feminine critically examines the value society places on vanity, consumerism and the pursuit of perfection and eternal youth. Can Creed’s notion of the monstrous feminine construct still be used to inform our understanding of women in current culture? Modern cultural phenomena such as the obsession with physical appearance and its relation to the idealized view of women, as well as the notion of IVF and the creation of life outside the body all challenge the traditional roles women play. Her argument that man fears woman as castrator, rather than as castrated, questions not only Freudian theories of sexual difference but existing theories of spectatorship and fetishism, providing a provocative re-reading of classical and contemporary film and theoretical texts.The notion of the “monstrous feminine”, as coined by feminist theorist Barbara Creed in her book The Monstrous-Feminine : Film, Feminism, Psychoanalysis, explores the importance of gender in the construct of woman’s monstrosity. With close reference to a number of classic horror films including the Alien trilogy, The Exorcist and Psycho, Creed analyses the seven `faces' of the monstrous-feminine: archaic mother, monstrous womb, vampire, witch, possessed body, monstrous mother and castrator. The reading by Barbara Creed titled Horror and the Monstrous-Feminine: An Imaginary Abjection, is an in-depth examination on the role of women in horror films. In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body. 7) in her seminal work The monstrous-feminine: film, feminism, psychoanalysis has challenged this patriarchal view, presenting the female reproductive body as the archetype of all definitions of the monstrous. In almost all critical writings on the horror film, woman is conceptualised only as victim. With close reference to a number of classic horror films including the Alien trilogy, The Exorcist and Psycho, C In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body. Creed analyses women as monstrous through their roles in. Barbara Creeds The Monstrous-Feminine: Film, Feminism, Psychoanalysis (1993) investigates the types of monsters that women are portrayed as in horror films, particularly examining archaic mothers, and mythological adaptions of characters. In almost all critical writings on the horror film, woman is conceptualised only as victim. Monstrous-Feminine and the Types of Monsters. ![]() ![]() In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body.With close reference to a number of classic horror films including the Alien trilogy, The Exorcist and Psycho, C Monstrous-Feminine and the Types of Monsters. In almost all critical writings on the horror film, woman is conceptualised only as victim. In The Monstrous-Feminine Barbara Creed challenges this patriarchal by arguing that the prototype of all definitions of the monstrous is the female reproductive body. The Monstrous-Feminine: Film, Feminism, Psychoanalysis ![]()
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